Artist catalog & profile
Alex Cormack
A horror comics illustrator known for collaborations on Road of Bones, Sea of Sorrows, and The Devil That Wears My Face.
Artist Profile
A career in context
Alex Cormack is a comic-book illustrator whose bibliography is especially rich in horror. His published work includes Road of Bones, Sea of Sorrows, Breath of Shadows, Sink, and The Crimson Cage. Mad Cave Studios identifies him as a Bram Stoker Award nominee.
With writer David Pepose, Cormack illustrated The Devil That Wears My Face, a supernatural story built around possession and exchanged identities. He also drew and colored Rich Douek’s Drive Like Hell for Dark Horse, taking responsibility for both the interior artwork and its covers.
CoverLineage noteCormack appears in both the Spider-Man #1 and Incredible Hulk #340 lineages through Usagi Yojimbo and Wailing Blade variants. Those two entries offer a compact look at how one artist handles different borrowed compositions. Action Comics #1 connections now include Weed Magic #1, Ninja Funk #1.
Catalog connections
Across the archive
This artist appears in 4 indexed catalogs. Explore the lineages below, then open individual covers for edition details and credited roles. The Dungeon Crawler Carl title catalog can overlap with the composition catalogs.
- Action Comics #1 · 2 works
- The Amazing Spider-Man #300 · 1 work
- Spider-Man #1 · 1 work
- The Incredible Hulk #340 · 1 work
Catalog connections reviewed October 9, 2026.
In the archive
The covers

Weed Magic #1
Bliss on Tap Publishing

Rick and Morty #35 — Alex Cormack Brain Trust Cover
Oni Press

Wailing Blade #1 (Alex Cormack Hulk 340 Homage Variant)
ComixTribe

Usagi Yojimbo: Wanderer's Road #1 — NYCC Stay At Home Exclusive
IDW Publishing

Ninja Funk #1
Whatnot Publishing
Research sources
- Mad Cave Studios — The Devil That Wears My Face and creator biographies ↗
- Dark Horse — Drive Like Hell #1 credits ↗
Profile last reviewed September 2026. Career information changes; corrections are welcome at hello@coverlineage.com.
